https://www.podbean.com/media/share/pb-gcaj6-148606d
Review of: Harpers Ferry Under Fire: A Border Town in the American Civil War, by Dennis E. Frye
Reviewed by Stan Prager, Regarp Book Blog
https://www.podbean.com/media/share/pb-gcaj6-148606d
Review of: Harpers Ferry Under Fire: A Border Town in the American Civil War, by Dennis E. Frye
Reviewed by Stan Prager, Regarp Book Blog
Most people only know of Harpers Ferry as the town in present day West Virginia where John Brown, a zealous if mercurial abolitionist, set out to launch an ill-fated slave insurrection by seizing the national armory located
Those in the know will also point out that the man in overall command when they took Brown down was Colonel Robert E. Lee, and that his aide-de-camp was J. E. B. Stuart. And perhaps to underscore the outrageous twists of fate history is known to fashion for us, they might add that present for Brown’s later execution were Thomas J. (later “Stonewall”) Jackson, John Wilkes Booth, Walt Whitman, and even Edmund Ruffin, the notable Fire-eater who was among the first to fire actual rather than metaphorical shots at Sumter in 1861. You can’t make this stuff up.
But it turns out that John Brown’s Raid in 1859 represents only a small portion of the Civil War history that clings to Harpers Ferry, perhaps the most quintessential border town of the day, which changed hands no less than eight times between 1861 and 1865. Both sides took turns destroying the successively rebuilt Baltimore & Ohio bridge—the only railroad bridge connecting northern and southern states across the Potomac. Harpers Ferry was integral to Lee’s invasion of Maryland that ended at Antietam, and had a supporting role at the outskirts of the Gettysburg campaign, as well as in Jubal Early’s aborted march on Washington. There’s much more, and perhaps the finest source for the best immersion in the big picture would be Harpers Ferry Under Fire: A Border Town in the American Civil War [2012], by the award-winning retired National Park Service Historian Dennis E. Frye, who spent some three decades of his career at Harpers Ferry National Park. Frye is a talented writer, the narrative is fascinating, and this volume is further enhanced by lavish illustrations, period photographs, and maps. Even better, while the book is clearly aimed towards a popular audience, it rigorously adheres to strict standards of scholarship in presentation, interpretation, and analysis.
West Virginia has the distinction of being the only state to secede from another state, as its Unionist sympathies took issue with Virginia’s secession from the United States. But it had been a long time coming. The hardscrabble farmers in the west had little in common with the wealthy elite slaveholding planter aristocracy that dominated the state’s government. This is not to say those to the west of Richmond were any less racist than the rest of the south, or much of the antislavery north for that matter; it was a nation then firmly based upon principles of white supremacy. For Virginia and its southern allies, the conflict hinged on their perceived right to spread slavery to the vast territories seized from Mexico in recent years. For the north, it was about free soil for white men and for Union. West Virginia went with Union. But back then, when John Brown took his crusade to free the enslaved to Harpers Ferry, it was still part of Virginia, and while some residents might have feared for the worst, most Americans could not have dreamed of the scale of bloodletting that was just around the corner, nor that the cause of emancipation—John Brown’s cause—would one day also become inextricably entwined with the preservation of the Union.
Harpers Ferry is most notable for its dramatic topography, which has nothing to do with its armory and arsenal—the object of Brown’s raid—but everything to do with its persistent pain at the very edge of Civil War. Strategically situated at the confluence of the Potomac and Shenandoah rivers, where today the states of Maryland, Virginia, and West Virginia meet, the town proper is surrounded on three sides by the high grounds at Bolivar Heights to the west, Loudoun Heights to the south, and Maryland Heights to the east that define its geography and the challenges facing both attackers and defenders. It is immediately clear to even the most amateur tactician that the town is indefensible without control of the heights.
I was drawn to Harpers Ferry Under Fire by design. I had already registered for the Civil War Institute (CWI) 2023 Summer Conference at Gettysburg College, and selected Harpers Ferry National Historic Park as one of my battlefield tours. While I have visited Antietam and Gettysburg on multiple occasions, somehow I had never made it to Harpers Ferry. These CWI conference tours are typically quite competitive, so I was pleased when I learned that I had won a seat on the bus. And not only that—the tour guide was to be none other than Dennis Frye himself! I have met Dennis before, at other Civil War events, including a weekend at Chambersburg some years ago with the late, legendary Ed Bearss. Like Ed, Dennis is very sharp, with an encyclopedic knowledge of people and events. I assigned myself his book as homework.
The original itinerary was scheduled to include a morning tour of the town, designated as the Harpers Ferry Historic District—which hosts John Brown’s Fort as well as many restored nineteenth century buildings that have been converted into museums—and an afternoon tour focused on the battles and the heights. Inclement weather threatened, so Dennis mixed it up and had us visit the heights first. In retrospect, in my opinion, this turned out to have been the better approach anyway, because when you stand on the heights and look down upon the town proper below, you understand instantly the strategic implications from a military standpoint. Later, walking the streets of the hamlet and looking up at those heights, you can fully imagine the terror of the citizens there during the war years, completely at the mercy of whatever side controlled that higher ground.
The most famous example of that was when, during Lee’s Antietam campaign, he sought to protect his supply line by splitting his forces and
It is worth pausing for a moment to consider the Fort, where John Brown’s raid ended in disaster, ten of his men killed, including two of his sons, and the badly wounded Brown captured, along with a handful of survivors. The original structure, which served as the Armory’s fire engine and guard house, was later dismantled, moved out of state and rebuilt, then dismantled again and eventually re-erected not far from the location where Brown and his men sought refuge that day, before it was stormed by the militia. It is open to the public. Walking around and within it today, there is an omnipresent eerie feeling. Whatever Brown’s personal flaws—and those were manifold—he went to Harpers Ferry on a sort of holy quest and was martyred for it. The final words he scribbled down in his prison cell—”I, John Brown, am now quite certain that the crimes of this guilty land will never be purged away but with blood”—rang in my ears as I trod upon that sacred ground.
If you are a Civil War buff, you must visit Harpers Ferry. Frye himself is retired, but if you can somehow arrange to get a tour of the park with this man, jump on the chance. Failing that, read Harpers Ferry Under Fire, for it will enhance your understanding of what occurred there, and through the text the authoritative voice of Dennis Frye will speak to you.
A link to Harpers Ferry National Park is here: Harpers Ferry National Park
More on the CWI Summer Conference is here: Civil War Institute at Gettysburg Summer Conference 2024
NOTE: Except for the cover art, all photos featured here were taken by Stan Prager
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Review of: The Making of the African Queen: Or How I went to Africa With Bogart, Bacall and Huston and almost lost my mind, by Katharine Hepburn
Reviewed by Stan Prager, Regarp Book Blog
One of my favorite small venues for an intimate, unique concert experience is The Kate—short for The Katharine Hepburn Cultural Arts Center—in Old Saybrook, Connecticut, a 285-seat theater with outstanding acoustics that
Hepburn was a little girl when she first stayed at her affluent family’s summer home in the tony Fenwick section of Old Saybrook, just a year after the opening of the then newly constructed Town Hall that today bears her name. She later dubbed the area “paradise,”
Now, full disclosure: I am a huge Bogie fan (my wife less so!). I recently read and reviewed the thick biography Bogart, by A.M. Sperber & Eric Lax, and in the process screened twenty of his films in roughly chronological order. My wife sat in on some of these, including The African Queen, certainly her favorite of the bunch. If I had to pick five of the finest Bogie films of all time, that would certainly make the list. Often denied the recognition that was his due, he won his sole Oscar for his role here. A magnificent performer, in this case Bogart benefited not only from his repeat collaboration with the immensely talented director John Huston, but also by starring opposite the inimitable Kate Hepburn.
Hepburn’s book, The Making of the African Queen, showed up under the tree last Christmas morning—the original hardcover first edition, for that matter—and I basically inhaled it over the next couple of days. It’s an easy read. Hepburn gets the byline but it’s clear pretty early on that the “narrative” is actually comprised of excerpts from interviews she sat for, strung together to give the appearance of a book-length chronicle. But no matter. Those familiar with Kate’s distinctive voice and the cadence of her signature Transatlantic accent will start to hear her pronouncing each syllable of the text in your head as you go along. That quality is comforting. But it is nevertheless plagued by features that should make you crazy: it’s anecdotal, it’s uneven, it’s conversational, it’s meandering, and maddingly it reveals only what Hepburn is willing to share. In short, if this were any other book about any other subject related by any other person, you would grow not only annoyed but fully exasperated. But somehow, unexpectedly, it turns out to be nothing less than a delight!
If The African Queen is a cinema adventure, aspects of the film production were a real-life one. Unusual for its time, bulky Technicolor cameras were transported to on-location shoots in Uganda and Congo, nations today that then were still under colonial rule. The heat was oppressive, and danger seemed to lurk everywhere, but fears of lions and crocodiles were trumped by smaller but fiercer army ants and mosquitoes, a host of water-borne pathogens, as well as an existential horror of leeches. Tough guy Bogie was miserable from start to finish, but Hepburn reveled in the moment, savoring the exotic flora and fauna, and bursting with excitement. Still, almost everyone—including Kate—fell terribly ill at least some of the time with dysentery and a variety of other jungle maladies. At one point Hepburn was vomiting between takes into a bucket placed off-screen. The running joke was that the only two who never got sick were Bogie and director Huston, because they eschewed the local water and only drank Scotch!
Huston went to Africa hoping to “out-Hemingway” Hemingway in big game hunting, but his safari chasing herds of elephants turned into a lone antelope instead. He seemed to do better with Kate. The book does not openly admit to an affair, but the intimacy between them leaps off the page. Hepburn proves affable through every paragraph, although sometimes less than heroic. Readers will wince when upon first arrival in Africa she instantly flies into a fit of rage that has her evict a staff member from an assigned hotel room that to her mind rightly should belong to a VIP of her caliber! And while she is especially kind, almost to a fault, to every African recruited to serve her in various capacities, there is a patronizing tone in her recollections that can’t help but make us a bit uncomfortable today. Still, you cannot detect even a hint of racism. You get the feeling that she genuinely liked people of all stations of life, but could be unrepentantly condescending towards those who did not, like her, walk among the stars. Yet, warts and all—and these are certainly apparent—Kate comes off today, long after her passing, as likeable as she did to those who knew her in her times. And what times those must have been!
A link to The Kate: The Kate
A link to the The African Queen on IMDB: IMDB: The African Queen
My review of the Bogart bio: Review of: Bogart, by A.M. Sperber & Eric Lax
NOTE: My top five Bogie films: Casablanca, The Maltese Falcon, Treasure of the Sierra Madre, The African Queen, The Caine Mutiny—but there are so many, it’s difficult to choose…
https://www.podbean.com/media/share/pb-rnuw7-147385c
Review of: The Battle of Negro Fort: The Rise and Fall of a Fugitive Slave Community, by Matthew J. Clavin
Reviewed by Stan Prager, Regarp Book Blog
In yet another fortuitous connection to my attendance at the Civil War Institute (CWI) 2023 Summer Conference at Gettysburg College, I sat in on an enlightening presentation by the historian David Silkenat1 on the
My next out of state trip subsequent to Gettysburg brought me to a small town in southern Vermont that one lazy afternoon found me exploring a used bookstore—housed in, of all places, a yurt2—where I stumbled upon The Battle of Negro Fort: The Rise and Fall of a Fugitive Slave Community [2019], by Matthew J. Clavin. Silkenet’s fascinating talk about maroons rang in my head as I bought the book, and I started reading it that very day.
Southern planters often held competing, contradictory notions in their heads simultaneously, while sidestepping the cognitive dissonance that practice should have provoked. On the one hand, they deluded themselves that their enslaved “property” were content in their condition of servitude. At the same time, they held them inferior in every sense and thought them nearly helpless, unable to successfully function independently. Slaveowners also dismissed the idea that African Americans could possibly make good soldiers, even though they did manage to fight on both sides during the Revolution. On the other hand, whites nursed a deep visceral fear of slave uprisings by armed blacks, whom despite their apparent contentment and incompetence might somehow team up and murder them in their sleep.
This heavy load of contradictions got hoisted menacingly above them to cast an ever-lengthening shadow when numbers of escaped slaves recruited into service by the British in what was then the Spanish colony of East Florida during the War of 1812 opted to remain behind after the Treaty of Ghent in a military fortification on Prospect Bluff overlooking the Apalachicola River heavily stocked with cannon and munitions and bolstered with support from allied Native Americans. These were not handfuls of fugitives out of reach in an unknown, inaccessible swamp somewhere, like most maroon settlements; this was a prominent, fully equipped, self-sustaining, armed camp, which even had the temerity to continue to fly the Union Jack—the so-called “Negro Fort.” This was an invitation to fellow runaways. This was not only a challenge to the white man’s “peculiar institution,” this was a thumbing of the nose to the entire planter mentality. This was an unacceptable threat. They could not bear it; they would not bear it.
The Battle of Negro Fort is very well-written, but it takes on an academic tone that makes it more accessible to a scholarly than a popular audience. But it is hardly dull, so those comfortable in the realm of historical studies will be undeterred. And it is, after all, a stirring tale that leads to a dramatic and tragic end. Just as the Venetians blew up the Parthenon in 1687 by scoring a hit on the gunpowder the Turks had stored there, a gunboat’s cannonball struck the powder magazine located in the center of the fort, which exploded spectacularly and obliterated the structure. Scores (or hundreds, depending upon the source) were killed, the leaders who survived executed, and those who failed to make their escape returned to slavery.
The author’s thesis underscores that the chief motive for the assault on the Negro Fort by Jackson’s agents in 1816 was to advance white supremacy rather than as part of a greater strategy to dominate the Floridas, which strikes as perhaps somewhat overstated. Still, Clavin cites later antebellum abolitionists who reference the Negro Fort with specificity in this regard, so he may very well have a point. In any case, this contribution to the historiography proves a worthy addition to the literature and an understanding of this less well-known period of early American history will be significantly enhanced by adding it to your reading list.
1Note: David Silkenat is the author of Scars on the Land: An Environmental History of Slavery in the American South.
2The used bookstore in the yurt is West End Used Books in Wilmington, VT
3Note: I reviewed the referenced Alan Taylor book here: Review of: American Republics: A Continental History of the United States, 1783-1850, by Alan Taylor
https://www.podbean.com/media/share/pb-exvr6-1469cfb
Review of: Saving Yellowstone: Exploration and Preservation in Reconstruction America, by Megan Kate Nelson
Reviewed by Stan Prager, Regarp Book Blog
As a child, one cartoon that habitually had me glued to our black and white TV set was the Yogi Bear Show, which spun a recurring comedic yarn
So it was while attending the Civil War Institute (CWI) 2023 Summer Conference at Gettysburg College that I learned with no little surprise that
Fortunately, I got a clue at the conference’s opening night ice cream social when I was by chance introduced to Megan Kate Nelson, author of Saving Yellowstone: Exploration and Preservation in Reconstruction America [2022], who was slated to give that very presentation. As we chatted, Megan Kate—almost nonchalantly—made the bold statement that without the Civil War there never could have been a Yellowstone Park. Agnostic but intrigued, I sat in the audience a couple of days later for her talk, which turned out to be both engaging and persuasive. I purchased her book along with a stack of others at the conference, and it turned out to be my first read when I got home.
The Civil War was over. The fate of the disputed territories—the ill-begotten gains of the Mexican War that sparked secession when the south’s slave power was, by Lincoln’s election, stymied in their resolve to spread their so-called “peculiar institution” westward—had been settled: the Union had been preserved, slavery had been outlawed, and these would remain federal lands preserved for white free-soil settlement. This translated into immense opportunities for postwar Americans who pushed west towards what seemed like a limitless horizon of vast if barely explored open spaces, chasing opportunities in land or commerce or perhaps even a fortune in precious metals buried in the ground. Those in the way would be displaced: if not invisible, the Native Americans who had occupied these places for centuries were irrelevant, stubborn obstacles that could be either bought off or relocated or exterminated. Lakota Sioux chief Tȟatȟáŋka Íyotake, also known as Sitting Bull, would have something to say about that.
Ulysses S. Grant, the general who had humbled Lee at Appomattox, was now the President of the United States, and remained committed to a Reconstruction that was on shaky ground largely due to the disastrous administration of his predecessor, Andrew Johnson, who had allowed elites of the former Confederacy to regain political power and trample upon the newly won rights of the formerly enslaved. The emerging reality was looking much like the south had lost the war but somehow won the peace, as rebels were returned to elective office while African Americans were routinely terrorized and murdered. Postwar demilitarization left a shrunken force of uniforms stretched very thin, who could either protect blacks from racist violence or white settlers encroaching on Native lands—but could not do both.
Meanwhile, the landscape was being transformed by towns that seemed to spring up everywhere, many connected by the telegraph and within the orbit of transcontinental railroads that would perhaps one day include the Northern Pacific Railway, a kind of vanity project of millionaire financier Jay Cooke that nearly destroyed him. All of this sparked frenetic activities that centered upon exploration, bringing trailblazers and surveyors and scientists and artists and photographers west to determine exactly what was there and what use could be made of it. One of these men was geologist Ferdinand Hayden, who led a handpicked team on a federally funded geological survey to the wilderness of the Yellowstone Basin in 1871 and charted a course that led, only one short year later, to its designation as America’s first national park.
More than six hundred thousand years ago, a massive super volcano erupted and begat the Yellowstone Caldera and its underlying magma body that produces the extreme high temperatures that power the hydrothermal features it is well known for, including hot springs, mudpots, fumaroles, and more than three hundred geysers! Reports of phenomena like these preceded Hayden’s expedition, but most were chalked up to tall tales. Hayden sought to map the expanse and to separate truth from fantasy. Unlike white men on a quest of discovery, of course, there was nothing new about Yellowstone to neighboring Native Americans, who had inhabited the region into the deep mists of time.
The best crafted biographies employ a central protagonist to not only tell their story but also to immerse the reader in a grand narrative that reveals not only the subject but the age in which they walked the earth. Nelson’s technique here, deftly executed, is to likewise write a kind of biography of Yellowstone that lets it serve as the central protagonist amid a much larger cast in a rich chronicle of this unique historical moment. A moment for the United States, no longer debased by the burden of human chattel slavery, that on the one hand had it celebrating ambitious achievements on an expanding frontier that boasted not only thriving towns and cities and industry and invention but even the remarkable triumph of posterity over profit by creating a national park and setting it aside for the benefit of all Americans. But not, on the other hand, actually for all Americans. Not for Native Americans, certainly, who at the point of the bayonet were driven away, into decades of decline. And not for African Americans, who in the national reconciliation of whites found themselves essentially erased from history and forced to live under the shadow of Jim Crow for a full century hence. Later, when the “West was Won” so to speak, both blacks and Native Americans could very well visit Yellowstone Park as tourists, but never on the same terms as their white counterparts.
Saving Yellowstone is solid history as well as a terrific adventure tale, attractive to both popular and scholarly audiences. There are times, especially early on in the narrative, that it can be slow-going, and the quantity of characters that people the storyline can be dizzying, but as the author lays the groundwork the momentum picks up. You can perhaps sense that Nelson, as a careful historian, is perhaps sometimes holding back so that the drama does not outpace her citations. But it is, after all, a grand theme, and such details only enrich it. This is the rare book that will keeping you thinking long after you have turned the last page. Oh, and for Civil War enthusiasts, I should add: it turns out that Megan Kate was absolutely correct—for both better and for worse, without the Civil War there indeed never could have been a Yellowstone Park!
https://www.podbean.com/media/share/pb-eiw36-1458feb
Review of: Harriet Tubman: The Road to Freedom, by Catherine Clinton
Reviewed by Stan Prager, Regarp Book Blog
In 2016, Jack Lew, President Obama’s treasury secretary, announced a redesign of the twenty-dollar bill that would feature on its front a likeness of Harriet Tubman, arguably the most significant African American female
Clinton’s approach is to recreate Tubman’s life as close to the colorful adventure it certainly was, without falling victim to sensationalism. She relies on scholarship to sketch the skeletal framework for Tubman’s life, then turns to a variety of sources and reports to put flesh upon it, sharing with the reader when she resorts to surmise to shade aspects of the complexion. In this effort, she largely succeeds.
Born Araminta Ross in Maryland in perhaps 1822—like many of the enslaved she could only guess at her date of birth—Tubman survived an especially brutal upbringing in bondage that witnessed family members sold, a series of vicious beatings and whippings, and a severe head injury incurred in adolescence when a heavy metal weight tossed by an overseer at another struck her instead, which left her with a lingering dizziness, headaches, seizures, and what was likely chronic hypersomnia, a neurological disorder of excessive sleepiness. It also spawned vivid dreams and visions that reinforced religious convictions that God was communicating with her. By then, she was no stranger to physical abuse. Tubman was first hired out as a nursemaid when she herself was only about five years old, responsible for rocking a baby while it slept. If the baby woke and cried she was lashed as punishment. She recalled once being whipped five times before breakfast. She was left scarred for life. Tubman’s experiences serve as a strong rebuke to those deluded by “Lost Cause” narratives that would cast antebellum slavery as a benign institution.
Despite her harsh treatment at the hands of various enslavers, Tubman proved strong and resilient. Rather than break her, the cruelties she endured galvanized her, sustained by a religious devotion infused with Old Testament promises of deliverance. Still enslaved, she married John Tubman, a free black man, and changed her first name to Harriet shortly thereafter. When she fled to freedom in Philadelphia a few short years later, he did not accompany her. Tubman’s journey out of slavery was enabled by the so-called “Underground Railroad,” a route of safehouses hosted by sympathetic abolitionists and their allies.
For most runaways, that would be the end of the story, but for Tubman it proved just the beginning. Committed to liberating her family and friends, Tubman covertly made more than a dozen missions back to Maryland over a period of eight years and ultimately rescued some seventy individuals, while also confiding escape methods to dozens of others who successfully absconded. In the process, as Clinton points out, she leapfrogged from the role as a “conductor” on the Underground Railroad to an “abductor.” Now known to many as Moses, she was a master of disguise and subterfuge; the illiterate Tubman once famously pretended to read a newspaper in order to avoid detection. To those who knew her, she seemed to be utterly fearless. She carried a pistol, not only to defend herself against slavecatchers if needed, but also to threaten the fainthearted fugitive who entertained notions of turning back. She never lost a passenger.
At the same time, Harriet actively campaigned for abolition, which brought her into the orbit of John Brown, who dubbed her “General Tubman.” Unlike other antislavery allies, she concurred with his advocacy for armed insurrection, and she proved a valuable resource for him with her detailed knowledge of support networks in border states. Brown’s raid on Harper’s Ferry was, of course, a failure, and Brown was hanged, but her admiration for the man never diminished. With the onset of the Civil War, Tubman volunteered to help “contrabands” living in makeshift refugee camps, and also served as a nurse before immersing herself in intelligence-gathering activities. Most spectacularly, Tubman led an expedition of United States Colored Troops (USCT) on the remarkable 1863 Combahee River Raid in South Carolina that freed 750 of the formerly enslaved—then recruited more than 100 of them to enlist to fight for Union. She is thus credited as the first woman to lead American forces in combat! She was even involved with Colonel Robert Gould Shaw in his preparations for the assault on Fort Wagner, later dramatized in the film Glory. When the war ended, Tubman went on to lobby for women’s suffrage, and died in her nineties in 1913—the end of a life that was given to legend because so very much of it more closely resembled imagined epic than authentic experience.
In this biography, Clinton the historian wrestles against the myth, yet sometimes seems seduced by it. She reports claims of the numbers of the enslaved Tubman liberated that seem exaggerated, and references enormous sums slaveowners offered as reward for her capture that defy documented evidence. There’s also a couple of egregious factual errors that any student of the Civil War would stumble upon with mouth agape: she misidentifies the location of the battle of Shiloh from Tennessee to Virginia, and declares Delaware a free state, which would have been a surprise to the small but yet enduring population of the enslaved that lived there. For these blunders, I am inclined to give Clinton the benefit of the doubt; she is an esteemed scholar who likely relied on a lousy editor. Perhaps these mistakes have been corrected in later editions.
I reviewed an earlier book by Clinton here: Review of: Tara Revisited: Women, War & The Plantation Legend, by Catherine Clinton