Myth has it that before he became king of Athens, Theseus went to Crete and slew the Minotaur, a creature half-man and half-bull that roamed the labyrinth in Knossos. According to Homer’s Iliad, Idomeneus, King of Crete, was one of the top-
Unfortunately, if you want to learn more about the Minoans, do not turn to A History of Crete, by former educator Chris Moorey, an ambitious if too often dull work that affords this landmark civilization a mere 22 pages. Of course, the author has every right to emphasize what he deems most relevant, but the reader also has a right to feel misled—especially as the jacket cover sports a bull-leaping scene from a Minoan fresco! And it isn’t only the Minoans that are bypassed; Moorey’s treatment of Crete’s glorious ancient past is at best superficial. After a promising start that touches on recent discoveries of Paleolithic hand-axes, he fast-forwards at a dizzying rate: Minoan Civilization ends on page 39; more than a thousand years of Greek dominance concludes on page 66, and Roman rule is over by page 84. Thus begins the long saga of Crete as a relative backwater, under the sway of distant colonial masters.
I am not certain what the author’s strategy was, but it appears that his goal was to divide Crete’s long history into equal segments, an awkward tactic akin to a biographer of Lincoln lending equal time to his rail-splitting and his presidency. At any rate, much of the story is simply not all that interesting the way Moorey tells it. In fact, too much of it reads like an expanded Wikipedia entry, while sub-headings too frequently serve as unwelcome interrupts to a narrative that generally tends to be stilted and colorless. The result is a chronological report of facts about people and events, conspicuously absent the analysis and interpretation critical to a historical treatment. Moreover, the author’s voice lacks enthusiasm and remains maddeningly neutral, whether the topic is tax collection or captive rebels impaled on hooks. As the chronicle plods across the many centuries, there is also a lack of connective tissue, so the reader never really gets a sense of what distinguishes the people of Crete from people anywhere else. What are their salient characteristics? What is the cultural glue that bonds them together? We never really find out.
To be fair, there is a lot of information here. And Moorey is not a bad writer, just an uninspired one. Could this be because the book is directed at a scholarly rather than a popular audience, and academic writing by its nature can often be stultifying? That’s one possibility. But is it even a scholarly work? The endnotes are slim, and few point to primary sources.
A History of Crete is a broad survey that may serve as a useful reference for those seeking a concise study of the island’s past, but it seems like an opportunity missed. In the final paragraph, the author concludes: “In spite of all difficulties, it is likely the spirt of Crete will survive.” What is this spirit of Crete he speaks of? Whatever it may be, the reader must look elsewhere to find out.