PODCAST#11 … Review of  The Bank War and the Partisan Press: Newspapers, Financial Institutions, and the Post Office in Jacksonian America, by Stephen W. Campbell

Can you imagine a President of the United States who blatantly ignores its conventions, ridicules its established order and appeals beyond these directly to the electorate, pledging to elevate the interests of the average citizen over those of the elite, whom he brands as corrupt, while scorning the courts, financial institutions, and any who stand in his way, polarizing the nation while he yet shamelessly exploits a partisan press and rewards his supporters with government jobs and favors? No, it’s not who you think, but it does at least partially explain why the current occupant of the White House often appears with a portrait of Andrew Jackson as a backdrop, a painting that he directed be displayed prominently in the Oval Office.

Jackson once loomed large in our collective cultural memory, but I suspect that memory is now a bit fuzzy for most Americans, who when pressed might at best tentatively identify him as the grim-looking fellow on the face of the twenty-dollar bill. Of course, Jackson has hardly been forgotten by historians, who have long recognized his centrality as the most consequential president of the antebellum era, although their assessments of him have seen a marked rise and fall over time.  Once lionized as a giant in the emergence of a more democratic polity and a more egalitarian nation, a critical reexamination in the more recent historiography has revealed substantial “warts,” not only underscored by his leading role in “The Indian Removal Act” of 1830 that led to the deaths of thousands of Cherokees in the so-called “Trail of Tears,” but also in the ill-effects of the long echo of his “spoils system,” the dangerous naivety of his economic strategies including the “Bank War” that led to the Panic of 1837, as well as other forceful if misguided policies that some have argued set irrevocable forces in motion that later resulted in Civil War.

Andrew Jackson has been the subject of hundreds of biographies and related works.  A prominent chapter has frequently been devoted to the Bank War, long framed as a flamboyant clash of wills between Jackson, who loathed banks, and the shrewd if hapless Nicholas Biddle, president of the Second Bank of the United States. A famous game of cat and mouse prevailed, as the standard tale has been told, with Jackson ultimately victorious, the bank abolished and Biddle sent packing in surprising and ignominious defeat.

It is such a familiar story that has received so much attention in the literature that it might seem unlikely that anything new could be said of it. So, there is then something of real genius in the astute reexamination showcased in the recently published monograph, The Bank War and the Partisan Press: Newspapers, Financial Institutions, and the Post Office in Jacksonian America, by Stephen W. Campbell. In this brilliant if not always easily accessible book, Campbell—a historian and lecturer at Cal Poly Pomona—challenges the orthodox narrative that puts Jackson and Biddle front-and-center to widen the lens to encompass the nuance and complexity that informs a long overlooked and far more intricate, multilayered confluence of people and events on both sides. The Bank War was indeed a great drama, but it turns out that there were many more essential players than Jackson and Biddle, and much more at stake than simply re-chartering the bank. As the subtitle suggests, Campbell notes that integral to the Bank War were common threads that ran between post offices, branch banks, and newspapers in what was indeed such a tangled weave that much went unnoticed or disregarded by historians prone to focus on the larger tapestry.

Today we might bemoan certain cable news propaganda vehicles that eschew reporting in favor of distorting, yet at its worst this phenomenon bears almost no resemblance to the partisan press of Jackson’s day, when there was little expectation of any kind of objectivity. In fact, valuable contracts for printing government documents were doled out to the politically simpatico, who were expected to promote the official line. Meanwhile, the Second National Bank through its branches had powerful financial incentives at hand to entice their allies in the press to champion their point of view.

Then there was the post office, which to us perhaps smacks of the anachronistic and irrelevant. Yet, its importance to early nineteenth century Americans cannot be overstated, since it effectively served as the sole vehicle for personal, business, and official communication.  But it was not only first-class mail that passed through post offices, but also newspapers, so branches could—and did—act as a kind of local valve for what sort of media could be passed across the counter. It was after all Jackson’s Postmaster General, former newspaper editor Amos Kendall, who famously permitted southern postmasters to refuse to distribute abolitionist tracts, another spark that was to fan antebellum sectional flames. Odd as it may seem now, Postmaster General was the single most valuable cabinet office in that era because of the vast patronage it controlled. Through its direct and indirect influence over the press, the White House clearly stacked the deck against poor Biddle, who despite vast resources could not hope to compete in the arena of what today we might term “messaging.”

While little of this material is in itself new or groundbreaking, Campbell deserves much credit for being the first to astutely connect all the dots of these seemingly unrelated elements to the Bank War.  But he goes further, articulately probing the economic realities of American life in the 1830s and deftly fitting the financial institutions of the day into the larger picture. The way banks and the economy functioned then would be almost unrecognizable to modern students of finance. Campbell peels back the fascinating if arcane layers of antebellum banking that other historians of the period have long neglected.

For the world of academia, The Bank War and the Partisan Press is a magnificent achievement, but alas much of it may remain unknown to the wider public because it is not always easily accessible to the general reader. This is not Campbell’s fault: he is after all quite skillful with a pen. But this was originally a thesis expanded into a book, so the strictures of academic writing sometimes weigh heavily on the account. Also problematic, perhaps, is that the text is somewhat rigidly compartmentalized, so that each sub-topic is exhaustively explored by chapter, rather than more seamlessly woven into the narrative.  These are mere quibbles to a scholarly audience and hardly detract from the finished product, but I would like to see Campbell revisit this theme one day in another title designed to reach more readers of popular history. In the meantime, if you are a student of Jacksonian America, this is an essential read that receives my highest recommendation.

PODCAST#13 … Review of The Last Founding Father: James Monroe and a Nation’s Call to Greatness, by Harlow Giles Unger

Did you know that the single greatest president in America’s first half-century was James Monroe? Even more than that, did you know that the most significant Founder of the fledgling Republic was James Monroe? That Monroe’s long-overlooked accomplishments and contributions dwarfed those of Washington, Jefferson and Madison and all the rest? That Monroe was a towering figure in both establishing and leading the new nation?  I didn’t either, but that is the boast of The Last Founding Father: James Monroe and a Nation’s Call to Greatness, by Harlow Giles Unger.

Should you suspect that I am unfairly exaggerating the author’s bold claim, look no further than page two of the “Prologue” to learn that while Washington may have won American independence, his legacy was little more than a “fragile little nation” and his “… three successors—John Adams, Thomas Jefferson, and James Madison—were mere caretaker presidents who left the nation bankrupt, its people deeply divided, its borders under attack, its capital city in ashes.” It was, apparently, left to the heroic, brilliant, and larger-than-life character of James Monroe to step in and make America great, as summarized by Unger:

Monroe’s presidency made poor men rich, turned political allies into friends, and united a divided people … Political parties dissolved and disappeared. Americans of all political persuasions rallied around him under a single “Star Spangled Banner.” He created an era never seen before or since in American history … that propelled the nation and its people to greatness.

That’s from page three. I might have closed the cover after that burst of hyperbole, which better channels the ending of a Disney movie than a historian’s measured analysis. But then I checked the dust jacket bio to find that Unger is “A former Distinguished Visiting Fellow in American History at George Washington’s Mount Vernon … a veteran journalist, broadcaster, educator and historian … the author of sixteen books, including four other biographies of America’s Founding Fathers.” Perhaps I was misjudging him? So, I read on …

Spoiler alert: it does not get any better.

Presidential biography is a favorite of mine, and I have read more than a couple of dozen. For the uninitiated, the genre tends to diverge along three paths: the laudatory, the condemnatory and the analytical.  While closer to the first category, The Last Founding Father really fits into none of these classifications. In fact, one might argue that it is less biography than hagiography, for the author is so consumed with awe by his subject that the latter is simply incapable of transgression in any arena. When I was a child, I could do no wrong in my grandmother’s eyes. If I did go astray, she would redefine right and wrong to suit the circumstances, so I always landed on the positive side of the equation. Unger offers similar dispensation for Monroe throughout this work.

Unger’s inflated reverence for Monroe should not diminish his subject’s importance to the early Republic, only compel us to examine the man and his legacy with a more critical eye.  The list of “Founding Fathers”—a term only coined by Woodrow Wilson in 1916—is somewhat arbitrary, and Monroe does not even always make the cut. The essential seven that all historians agree upon are:  John Adams, Benjamin Franklin, Alexander Hamilton, John Jay, Thomas Jefferson, James Madison, and George Washington. Other lists are more broad, and many also include Monroe, who was after all not only the fifth President of the United States, but also U.S. Senator, Ambassador to France and England, Secretary of State, and Secretary of War—at one point even holding the latter two cabinet positions simultaneously. Monroe’s tenure in the White House has famously been dubbed the “Era of Good Feelings,” but only school kids—and Unger, apparently—believe that this is because suddenly faction disappeared, and both rival politics and personalities gave way to a mythical fellowship.  In fact, historians have long recognized that this period was characterized by the one-party rule of the Democratic-Republican Party that dominated after the disintegration of the Federalist Party, which had flirted with treason and been discredited in its opposition to the War of 1812. But Monroe’s Democratic-Republicans represented far more of a coalition of loose factions than the powerful central force that the party had been under the stewardship of Jefferson and Madison before him. The fissures unacknowledged by Unger were brewing all along, later made manifest in the Second Party System of Clay and Jackson.

Most studies of Monroe reveal a man of great personal courage with stalwart dedication to principle and service to his country. Few—Unger is the exception—credit him with the kind of intellectual brilliance seen in peers like Jefferson, Madison and Hamilton. Like Hamilton—who indeed once challenged him to a duel—Monroe seems to have possessed an outsize ego and a prickly sense of honor that was easily slighted if not subject to the praise and recognition he felt certain he rightly deserved, such as sole credit for the Louisiana Purchase! Nearly a decade earlier than that milestone, Monroe had served as ambassador to France but was later recalled by Washington, who found him too easily flattered and otherwise lacking in the traits essential to upholding American diplomatic interests. Monroe was stung by this, but in his long future in government service he was in turn to have fallings-out with both Jefferson and his old friend Madison, unable to tolerate differences in opinion and bristling in his perception of being ever snubbed by not being elevated to the prominence he felt due him. Like Jefferson, Madison’s presidency proved to be a disappointing chapter in a life marked by great achievements. But while the War of 1812 was hardly Madison’s finest hour, and Monroe indeed played a pivotal role during the existential crisis of the burning of Washington and its aftermath, Madison was hardly the bewildered, sniveling coward Unger portrays in his account, so incapacitated by events that Monroe had to heroically swoop in to serve as acting president and single-handedly rescue the Republic.

The many flaws in this biography are unfortunate, because Unger writes very well and citations are abundant, lending to the book the style and form of a solid history. On a closer look, however, the reader will find that the excerpts from primary sources that populate the narrative are often focused on superficial topics, such as food served at events, room furnishings, or styles of dress. And Unger seems to sport a weirdly singular crush on Monroe’s wife, Eliza, whom he describes as “beautiful” more than a dozen times in the text—and that before I gave up counting! Attractive of not, she seems as First Lady to have come off as cold and imperious, with aristocratic airs that she no doubt accumulated during her times abroad with her husband, when they lived often in a grand style that was well beyond their means. Oddly, far more paragraphs are devoted to descriptions of Eliza’s clothing and social activities, and her many debilitating illnesses, real or imagined, than to Monroe’s eight years in the White House.

A greater complaint is that for a book published as recently as 2009, conspicuous in its absence are the less privileged people that walked the earth in Monroe’s time, Native Americans and most especially the enslaved African Americans kept as chattel property by elite Virginia planters like Monroe—as well as Jefferson, Madison and Washington—something that manifestly flies in the face of recent historiographical trends.  Although Monroe owned hundreds of human beings over the course of his lifetime, the reader would hardly know it from turning the pages of The Last Founding Father, where the enslaved are mentioned in passing if mentioned at all, such as: “Although Monroe had to sell some slaves to rescue [his brother] Joseph from bankruptcy, he held to the belief that brotherly ties were indissoluble …” [p207] Long before the more famous Nat Turner Revolt, there was Gabriel’s Rebellion, and Monroe was Governor of Virginia when it was repressed and twenty-five blacks were hanged in retribution. The slightly more than two pages given to this episode lacks critical analysis but credits Monroe with promptly calling out the militia to put down the uprising [p140-142]. Such a cursory treatment of the inherent contradictions of the institution of chattel slavery to the ideals of the new Republic are an inexcusable blemish on any work of a twenty-first century historian. Since there is much in the literature about the incongruity of Monroe the plantation master—much like Jefferson—at times decrying while yet sustaining the peculiar institution, we can only conclude that Unger deliberately passed over this material lest it cast some aspersion upon the adoring portrait that this volume advances.

It pains me to write a bad review of any book. After all, the author typically labors mightily to generate the product, while I can read it—or not—in my leisure. But I am passionate about both historical studies and the rigors of scholarship, which should apply even more scrupulously to someone such as Harlow Giles Unger, who not only possesses appropriate credentials but has written widely in the field, and thus owes the student of history far more than this, which after all does no real service to the reader—nor to James Monroe by overstating his achievements while failing to contextualize his role as a key figure in the early Republic with the nuance and complexity that his legacy deserves.

Astronaut William Anders began: “For all the people on Earth the crew of Apollo 8 has a message we would like to send you:

In the beginning God created the heaven and the earth.
And the earth was without form, and void; and darkness was upon the face of the deep.
And the Spirit of God moved upon the face of the waters. And God said, Let there be light: and there was light.
And God saw the light, that it was good: and God divided the light from the darkness.”

On Christmas Eve fifty-one years ago, millions in the United States and around the globe—including this then eleven year old boy—gathered breathlessly around their TV’s to watch the first live broadcast from space, an extraordinary transmission beamed back to earth from more than two hundred thousand miles away from an American spacecraft in orbit around the moon. The largest television audience to that date was treated to remarkable photographs of the forbidding moonscape, but far more awe-inspiring and humbling were the images they viewed of their very own living planet, appearing so tiny and so remote from such a great distance. The three astronauts closed out the broadcast by reading passages from the biblical book of Genesis. Lunar Module Pilot Bill Anders was followed by Command Module Pilot Jim Lovell, and then Commander Frank Borman, who added: “And from the crew of Apollo 8, we close with good night, good luck, a Merry Christmas, and God bless all of you – all of you on the good Earth.”

While this episode remains a heartwarming moment that celebrates both the universality of the human endeavor as well as the singularity of this accomplishment, it should not obscure the reality of what was really happening on that blue planet viewed from afar, of the wars and famines and cruelty and disasters that did not take a pause while space travelers read aloud from an ancient book that itself once gave witness to its same share of wars and famines and cruelty and disasters. Nor should it fail to remind us that these representatives of the earth blasted off from a badly fractured landscape at home.

The claim that America on this Christmas Eve of 2019 has never been this divided is at once refuted by a glance back to 1968, replete with acts of terror, campus unrest, cities in flames, mass demonstrations, political assassinations, and violence in the streets—the perfect storm of the increasingly unpopular war in Vietnam and the revolution of rising expectations among long-disenfranchised blacks frustrated by the pace of change. If there was a kind of unifying force that remained to serve as some sort of glue amid the chaos and dissonance of a splintered national polity it had to be the space program and its race for the moon. The actual moon landing was not until the following year, but 1968 closed with the remarkable Apollo 8 mission, the first manned spacecraft to orbit the moon, made more dramatic by that live Christmas Eve audio-video transmission from space that included those readings from Genesis, and later forever enshrined in our collective consciousness by the iconic photo “Earthrise” that depicts the earth rising over the moon’s horizon, snapped by astronaut Bill Anders, that is said to have inspired the environmental movement.

Martin W. Sandler revisits this existential moment that briefly comforted a troubled nation with the oversize and lavishly illustrated Apollo 8: The Mission That Changed Everything, directed at a young adult (YA) audience but suitable for all. I have read and reviewed Sandler before. The author has a talent for clear, concise writing that while targeting a younger readership does not dumb-down the topic, an otherwise frequent tarnish to this genre of nonfiction. I obtained this book as part of an Early Reviewer program and my copy was an Advanced Reader’s Copy (ARC) with black and white images, but the published edition is full-color and worth the purchase if only for the magnificent color photographs, though these are nicely enhanced by a well-written narrative that encompasses the totality of this highly significant space mission and its ramifications back home. The only caution I would add is that I have detected glaring historical errors in some of Sandler’s other works. I did not stumble upon any here, but then I am hardly an expert on the space program. Thus, the reader should trust but verify!

Some—at the time and since—have objected to the astronauts’ choice of verses from Genesis, as if there was an attempt to impose religion from the beyond, or to celebrate the Judeo-Christian experience at the expense of others. We should not be so hard on them; they were simply seeking some kind of universal message to inspire us all. That they may have failed to please everyone may only underscore how diverse we are even as we transcend the myth of race to acknowledge that we all share the very same DNA, the same hopes and dreams and fears and needs and especially the desire to love and be loved.  Astronaut Bill Landers himself returned from space as an atheist, awed by his place in the vast universe.  I am not a religious person: I celebrate Christmas as a time for peace and love and Santa Claus. But I can still, like the astronauts on Apollo 8 fifty-one years ago, wish my readers a good night, good luck, and a Merry Christmas to all of you on the good Earth.

Click for: Apollo 8 Live Broadcast

Some years ago, I had the pleasure of reading the Booker-prize winning masterpiece Birdsong, by Sebastian Faulks, which motivated me to pick up a couple of his other novels for later consumption, including Engleby. One day, I randomly plucked it off the shelf and turned to the first page. Honestly, it was not easy to put down. Also, to be even more honest, there were times that I really wanted to.

As a reviewer, it sounds somewhat awkward or even unseemly to resort to a term like “creepy” to describe a novel, but that would most accurately describe the subtle if sustained punch in the gut I experienced while reading this one, propelled by a growing revulsion for the central character. As the narrative unfolds, that character—the eponymous Mike Engleby—is a working-class Brit on scholarship to “an ancient” university in the early 1970s. He comes across as a bit of an oddball, but for those of us who lived through this era that was hardly unusual nor especially undesirable, given that to be an iconoclast in those days was often seen as a virtue. But the reader cannot help but experience an emerging disquiet as Engleby develops an infatuation that veers to obsession that then turns more ominously to the outright stalking of his bright and beautiful classmate Jennifer Arkland. Along the way, there are flashbacks to the bitter poverty of Engleby’s youth, the regular beatings by his father, the quotidian brutality of his life at public school where he is condemned to the unfortunate nickname “Toilet” and subjected to an ongoing torment that stretches the limits of endurance to cruelty—the cumulative effect of which, it becomes clear, shapes him into a bully, a thief, a drug dealer, an opportunist. Flash forward again and Jennifer has disappeared, never found, presumed murdered.

Did Engleby murder her? Could he be a serial killer? Is he mere weirdo or sociopath? That’s for you to find out: I don’t believe in folding spoilers into reviews. But the narrative is laced with plenty of clues, scattered within an interior monologue that invites an uncertain sympathy for a protagonist whom at best provokes the uneasy, at worst the repellent. Yet, it is the genius of the author to tempt the reader to veer from repugnance to empathy, against all odds, even if this shift may prove temporary. And the reader, like it or not, is ensnared in an uncomfortable fascination with this very same well-crafted interior monologue, a kind of labyrinth pregnant with Engleby’s barely suppressed anxiety, which he overcompensates for with visions of grandeur and a disdainful arrogance for all others in his orbit—except perhaps, that is, for Jennifer Arkland. And then that anxiety grows contagious as the reader begins to question the reliability of the narrator! Are the things revealed by Engleby’s inner thoughts real or imagined? Is Faulks himself, acting as both wizard and jester, simply mocking us from behind the curtain?

The last time I found myself as deeply unsettled by a work of fiction, it was Perfume, by Patrick Süskind, the unlikely tale of an eighteenth-century serial killer, but that novel was tempered with a pronounced sense of the ironic if not especially comedic. Not so with this one: there’s nothing even a little bit funny about Engleby. For his part, Faulks proves himself a true artist of the written word, his pen taking full command of his character and his audience alike. I recommend it, even if it may keep you up at night.

PODCAST#9 … Review of Napoleon: A Life, by Adam Zomoyski

The most consequential figure of what historians dub Europe’s “long nineteenth century” (1789-1914)—from the start of the French Revolution to the outbreak of World War I—came to virtually define the first part of that era while setting forces into motion that shaped all that was to follow. Over the course of a single decade, Napoleon Bonaparte controlled not only much of the territory on the continent, but the entirety of its destiny.  When he fell from power, the peace that was crafted in his wake largely held for a full century. The Europe that was obliterated by the catastrophe of the Great War that followed was the Europe both made and unmade by Napoleon. And even well beyond that, in the nearly two centuries since he walked the earth, no other individual—not Bismarck, not Stalin, not Churchill, not even Hitler—has emerged in the West, for ill or for good, to rival his significance or challenge his legacy.  Yet for most, these days Napoleon is, if not exactly a forgotten character, a much overlooked one, a rarely referenced ghost of a distant past whose specter though perhaps unnoticed nevertheless still haunts the twenty-first century capitals of Paris, London, Rome, Berlin, Warsaw and Moscow.

An outstanding remedy to our collective negligence is Napoleon: A Life, by Adam Zamoyski, a noted historian and author with a long resume who masterfully resurrects the outsize character that was the living man and places him in the context of his times. At nearly seven hundred pages, at first glance this hefty tome might seem intimidating, but Zamoyski writes so well that there are few sluggish spots in a fast-moving, highly accessible narrative that will likely take its place in the historiography as the definitive single-volume biography. And this is surely the treatment his subject deserves.

There could perhaps not have been a more unlikely individual to command the world stage and change the course of history than Napoleon Bonaparte, born to a family of minor Italian nobility of quite modest means on Corsica in 1769, somewhat ironically in the same year that the Republic of Genoa ceded the island to France. It may be a minor point but it certainly adds to that irony that the future Emperor of France apparently ever spoke French with an atrocious accent, which—knowing the conceit of those native to the language—could only have rankled those in his orbit, both friend and foe. Yet, this is just one of the many, many contradictions that cling to Napoleon’s person. As a child, he was sent to a religious school in France, and later attended a military academy, which led to his commission as a second lieutenant in the artillery.

It was the outbreak of the French Revolution a few short years later that catapulted him onto the world stage in a bizarre trajectory that saw him first as a fervent Corsican nationalist seeking the island’s independence from France, then a pro-republican pamphleteer allied with Robespierre, and then artillery commander at the Siege of Toulon, where he first demonstrated his military genius. He was wounded but survived to be promoted to brigadier general at the age of twenty-four and later placed in command in Italy, where he led the army to victory in virtually every battle, while taking time out to crush a Royalist rebellion in Paris. He also survived his association with Robespierre. Proving himself as gifted in the partisan arena as he was on the battlefield, he adroitly commandeered the dangerous and ever-shifting political ground of revolutionary France to engineer a coup and make himself dictator, euphemistically styled as First Consul of what was now a republic in little more than name only.  He was just thirty years old. Within five years, he was Emperor of France in a retooled monarchy that both resembled and served as counterpoint to the ancien régime that revolution had swept away.

The rare general with talents equally exceptional in the tactical and the strategic, Napoleon managed both on and off the battlefield to defeat a succession of great power coalitions aligned against him until he commanded much of Europe directly or through his proxies, while crippling British trade through his “continental system” that controlled key ports. Like Alexander two millennia before him, Napoleon was brilliant, courageous, opportunistic and lucky—all the ingredients necessary for unparalleled triumph on such a grand scale. Unlike Alexander, he outlived his conquests to try to remake his realm, in his case by spreading liberal reforms, stamping out feudalism, promoting meritocracy and codifying laws. But he also lived to fall from power and to fall hard.  At the risk of stretching the metaphor, the ancient Greeks invented the term hubris to describe the tragedy in the excessive pride personified by men just such as Napoleon. Whereas Alexander looked to Achilles and the Olympic pantheon, Napoleon looked only to his own “star,” which he fully relied upon to guarantee his success in every endeavor. And one day that star dimmed. He famously overreached with the ill-conceived invasion of Russia that turned to debacle, but it was more than that. For all his genius, he ruled the French Empire like a medieval lord—or a crime boss—placing on the thrones of puppet states that served him members of his extended family or his cronies, most of whom lacked competence or even loyalty. His dramatic rise was met with an equally dramatic fall, and he ended his days in exile on a remote island in the South Atlantic, slowly succumbing to what was likely stomach cancer at the age of fifty-one.

Of course, you could learn all of this from the prevailing literature—there are literally thousands of books that chronicle Napoleon—but Zamoyski’s rare achievement is to capture the essential nature of his subject, something that too often eludes biographers. The Napoleon he conjures for us is a basket of contradictions: at once kind, despotic, magnanimous, ruthless, noble, petty, confident, insecure, charismatic, and socially awkward.  Zamoyski does not stoop to play psychoanalyst, but the Napoleon that emerges from the narrative often smacks of a narcissist and depressive who frequently rode waves of highs and lows. If nothing else, he was certainly a very peculiar man who was repellent to some just as others were somehow drawn to him irresistibly, a paradox perhaps captured best in this passage recounting the recollections of those who knew him as a young man:

He was out of his depth, not so much socially as in terms of simple human communication: he showed a curious lack of empathy which meant that he did not know what to say to people, and therefore either said nothing or something inappropriate. His gracelessness, unkempt appearance, and poor French … did not help … He could sit through a comedy … and remain impassive while the whole house laughed, and then laugh raucously at odd moments … [He once told] a tasteless joke about one of his men having his testicles shot off at Toulon, and laughing uproariously while all around sat horrified. Yet there was something about his manner that some found unaccountably attractive. [p92]

Zomoyski does not pass judgment on Napoleon, but deftly brings color, form and substance to his sketches of him so that the reader is rewarded with a genuine sense of familiarity with the living man, an accomplishment that cannot be overstated.  If there is a flaw, it is that the work is skimpy on the historical backdrop, on the prequel to Napoleon; those not already well-schooled with the milieu of late eighteenth century Europe may be at a disadvantage.  But this is perhaps a quibble, for to do so competently would have further swelled the size of the book and risked an unwieldy text. On the other hand, there is a welcome supply of many fine maps, as well as copious notes.

Napoleon’s ambition left thousands of dead in his wake, and he left his mark far beyond the Europe he transformed. Modern Egyptology was born out of Napoleon’s military campaign in Egypt; the famous “Rosetta Stone” was among the spoils of war, although it ultimately ended up in British rather than French hands.  Napoleon was the force behind the Louisiana Purchase, which effectively doubled the size of the nascent United States.  It was the impressment of American seamen during the Napoleonic Wars that was a leading Casus belli in the War of 1812, and it was British exhaustion at the conclusion of that conflict that spared the young republic a harsher price for peace.  Look closely and you will find Napoleon’s fingerprints nearly everywhere—and you will see them in far greater detail if you treat yourself to Zamoyski’s magnificent biography, which surely does justice to his legacy.

[CORRECTION: the podcast version of this review misidentifies the location of Napoleon’s death as on an island in the Pacific rather than in the South Atlantic, which has been corrected in the written text above.]

PODCAST#14 … Review of Working: Researching, Interviewing, Writing, by Robert A. Caro

While browsing a bookstore sometime in 1982, I picked up a thick hardcover entitled The Years of Lyndon Johnson: The Path to Power, by Robert A. Caro. I had never heard of Caro, but the jacket flap told of his winning the 1975 Pulitzer Prize for biography for his very first book, The Power Broker: Robert Moses and the Fall of New York. I had never heard of Moses either, but in the days before smartphones and Google might let me dig a little deeper, that accolade spoke directly to the author’s reputation. I did—and still do—like to browse bookstores and to read books about American presidents. The twenty bucks I shelled out to buy that book was probably most of the cash I had in my wallet that afternoon, something else that was and remains characteristic of me to this day: given a choice between buying lunch or a new book, I will almost always choose the latter. I mean, I can wait until dinner …

That volume of The Path to Power is 768 pages of small print, not including notes and back matter, of mostly dense material, but Caro’s voice is so commanding that I found myself both absorbed and obsessed. For those who have not read him, it is difficult to describe Caro’s style, which exists somewhere at the confluence of incisive reporting and towering epic, a kind of literary salad that blends the best of Edward R. Murrow and Robert Penn Warren—seasoned with a dash or two of Thucydides—that the reader is driven to devour.

There are great presidential biographers out there—think Robert Remini, David McCullough, Joseph Ellis, Jon Meacham—yet Caro is in a league all his own.  And unlike the others, he has not been prolific, devoting the decades since the publication of The Path to Power to just three books, all part of his The Years of Lyndon Johnson saga, one of which—Master of the Senate—is a landmark synthesis of history and biography and politics that won him a second Pulitzer Prize in 2003. Another ten years passed before the release of The Passage of Power, which only just follows LBJ into his first months in the White House. Now an octogenarian still doggedly at work on what is to be the final book in the series, Caro has broken precedent by releasing a slim volume that is a study of the author rather than his subjects.

This latest book, Working: Researching, Interviewing, Writing, is less a memoir than a profile of what Caro has set out to do and how he has approached the process, as neatly summarized by the subtitle. Surprisingly, Caro is not a historian, but instead started off as a journalist who won the respect of an old-fashioned hardboiled editor when his diligence in the field turned up info vital to a storyline. The editor, who had barely acknowledged him before, advised: “Turn every page. Never assume anything. Turn every goddamned page.” That has been his mantra ever since.

Caro is fascinated by power and those who wield it, and especially by the ways power can be obtained and exercised outside of ordinary channels.  For instance, his first subject— “master builder” Robert Moses—was never elected to any office, yet at one point simultaneously held twelve official titles and used his accumulated authority to preside over the utter and lasting reshaping of New York City and its suburbs. In his research on LBJ, by turning “every page,” Caro encountered an obscure reference that led him to learn that Lyndon Johnson’s political rise and own personal wealth was closely linked to a long-secret relationship with the principals of Brown & Root, a construction company that built roads and dams and was later enriched by government contracts sent their way by Johnson; in turn, their largesse was to overflow LBJ’s campaign coffers.  The rest is—quite literally—history.

A silent partner in Caro’s award-winning achievements has long been his wife Ina, who has quietly devoted her life to aiding his research and managing the household so that he could concentrate entirely on his book projects. In Working, Caro reveals that Ina once sold their home—without telling him—in order to ensure their financial solvency. Another time, when he announced they were moving to the Texas Hill Country for three years to continue his research on LBJ, Ina cracked: “Why can’t you do a biography of Napoleon?”  But she went along, without complaint.  And Caro makes it clear that Ina was no mere admin or assistant: she often sat across from him at long library tables and turned over half of those “goddamned pages” herself.

By my own calculation, I have read nearly three thousand pages of Robert Caro in his four volumes on Lyndon Johnson. I eagerly and impatiently await the final book. I did not know what to expect from Working, which is closer to memoir than autobiography but truly defies categorization.  Most great writers are incapable of talking about themselves without something like bitterness or bravado. Hemingway certainly couldn’t do it. Steinbeck—think Travels with Charley—was better at it, but he tended to conflate fiction and nonfiction along the way. Caro would have none of that. His work has always had a singular focus that has been about the unvarnished facts, about the warts and all, about the inconvenient truths that swirl about the lives of his subjects, and he delivers no more and certainly nothing less when he turns the lens on himself.

Working would be a party favor if written by anyone but Robert Caro. But because he is a magnificent writer gifted with extraordinary insight, it is a kind of a minor masterpiece packaged in an undersized edition that is an easy read of less than two hundred pages. If there is a fault, it is the odd inclusion of an interview with The Paris Review from 2016 that is not only superfluous but distracting; I would urge skipping it. But that’s a quibble. Even if you have never heard of Robert Caro yet are fascinated with history and how solid research serves as the foundation to analysis, interpretation and an ever-evolving historiography, you should read this. If you have read Caro’s other books, of course, then you must read this one!